Monday, December 9, 2013

The MileHighGayGuy Review: Janelle Monet - Electric Lady

Electric Lady Electrifies
By Patrick McAleer


First off, I would like to apologize for my absence from this site. I signed up to write music reviews, I write one and then I head out like a fetus. Too much? Eh, oh well. My life has taken off in the last few months and I feel like I am playing catch up. I have an amazing new job with Kaiser Permanente as the Community Relations Coordinator, I have a fantastic new boyfriend (his name will go unmentioned), and I have been cast in Les Mis in Concert as Jean Valjean and in the chorus of Rigoletto for Opera Colorado. So I finally have a moment to listen to some music, that is not from one of the previously mentioned shows, and write about it.

I am a couple months behind on this album, but it is going round and round in my head and I just need get it out.

Let’s chit chat about Janelle MonĂ¡e’s new album, The Electric Lady. I love it! I can’t stop listening to it! I think she is brilliant! And yes, I did just scream the last three phrases via text. I am that excited!

The overall flow of the LP is genius. I love that there are no obvious breaks between songs. Each song melts into the next creating this constant stream of beautiful music. There are the occasional breaks for the radio DJ to plug upcoming events and interview the people. And that’s another thing, the radio vibe. It is such a great idea. It makes the album not sound like an album and it makes it sound like you just tuned into your favorite radio station. The other attribute that boasts the radio feel is the diversity of the songs. I can’t remember the last time I heard an artist where each one of their songs didn’t sounded anything like the songs before or the songs after. The whole album is refreshing and innovative.

 

I am a fan of Disney movies. I always have been and I always will be. The first song sounded like “Prince Ali” from Aladdin and I love it. I just wanted to make way for Miss Monae (See what I did there? If not, go watch Aladdin). It has such an Arabian feel to it. It gives precedent for the whole album. The third song on the album, 'Q.U.E.E.N.', just makes me smile, because any song that uses the phrases “throwin’ shade” or “givin’ face” is a song for me. I love me some attitude. The title track was less than desirable for me. It felt like one of the weaker tracks. Now maybe I just listened to it too much or I didn’t really grasp the lyrics, but eh, I could take it or leave it. One of my favorite tracks is track nine, 'Dance Apocalyptic'. It has such a fun beat and it makes me feel like I am back in high school. Good times.

The whole album has such great diversity between tracks. You have 'We Will Rock n’ Roll', that has this Diana Ross feel. You just want the Supremes to step on out and take it up a notch. And then there’s 'Look Into My Eyes' that sounds like you should be in a Pink Panther movie with a cigarette and an Old Fashioned. Followed by 'Suite V Electric Overture', which is just instrumental music orchestrated to sound like Big Band. Up next is 'Ghetto Woman', with this African beat that slowly transitions into disco. It’s like this earthy go-go feel. Does that even make sense? Just go with it.

The whole album rounds itself out with the final track, 'Victory'. It sends a powerful and inspirational message about being thankful for the small things in life. It’s time to stop and smell the roses. It’s time to let go and let God. (I feel like I got that from somewhere?) The whole album leaves you feeling refreshed, humbled, motivated, and whatever other positive words you can think of. It has been a long time since I have enjoyed an ENTIRE album. Miss Monae has created a whole new world of listening and enjoying.