By Philip Doyle
"Comfort in the Arms of the Damned" is a hard show to like, but I sure want to. It delves into a man’s struggle with mental illness and it is troubling. He is taunted and bullied by voices in his head. He suffers. He explores suicide. That makes this show a bit of a rough ride.
It’s kind of like supporting a strung out friend through a manic episode of neurotic banter, patiently rooting for a solution, but being annoyed that it is happening in the first place. Is it fun? Nope. Is it important that you be there? You betcha.
Winnie Wenglewick is a driving force at Denver's Dangerous Theatre, which presents regional premieres and original works that would otherwise go unseen in Denver. Winnie has a knack for prioritizing a production budget, stripping away the technical shock and awe and focusing on originality, and the art of playwriting. The result, regardless of popularity, is a creative effort that scores in nobility. It may be a dangerous way to run a theatre, but it’s damn courageous as well.
Back to the task at hand, “Comfort in the Arms of the Damned” is a challenge. Anyone who has ever been touched by mental illness or has lost a friend to suicide will no doubt feel uneasy with this play. It will task you with emotional conflict. In fact, I’m still conflicted. On one side, this production is to be commended for presenting an intense and dark struggle in a uniquely provocative way. On the other side, “Comfort in the Arms of the Damned” battles itself with too much dialog and too many scenes.
Tobias is a young man haunted by demons. As a boy, the monster hiding in his closet manifests itself, becoming Xavier, who constantly reminds the lad that nothing is real, not even love. Twisting and distorting reality, the demon writhes in delight. Tobias grows up knowing nothing but dreams, and the possibility that reality is nothing but maggot-ridden flesh, covered up in carnival make-up.
Needless to say, Tobias is dark. Oh sure, on the outside he can seem like a nice guy, but on the inside, he is a tormented, suicidal, possibly a homicidal, mess. His challenge is to be free of his demon, and discover the real warmth of a loving embrace.
Five women surround the character of Tobias. In most cases, they are voices and manipulations within his dreams. His mother, Tessa (Teresa Champion), tries to maintain a sense of warm dignity. Savannah (Corinne Denny), Lisle (Allison Murray), and Maryssa (Stacia Gordon), all exist in Tobias’s world, a place thrown askew by the monster, Xavier (Brittany Lacour).
Brian McDonell (pictured), who portrays Tobias, is reserved and at times too restrained. McDonell has an interesting challenge, playing an innocent child thrown into a state of mania, so perhaps approaching the part on the timid side is a wise choice.
It was a pleasant surprise to find the part of Xavier being played by Brittany Lacour. I have grown to admire Lacour’s fearless commitment to a role. She plays a manipulative monster, but she’s still kind of fun to watch. I have thrown her some high praise in the past, so I’ll hold back a bit now.
“Comfort in the Arms of the Damned” was written by Jonathan M. Vick. I won’t kid you, it’s wordy. For my taste, some lines seemed to be overwrought with alliterative description and metaphor, which brought me out of the moment. The constant flow of dialog is no doubt a challenge for some of the actors.
It is difficult to watch “Comfort in the Arms of the Damned” and not be reminded of recent headlines. Of what happens when person surrenders to the taunting voices, and their distorted reality collides into the real world.
It’s the brave producer/director Winnie Wenglewick who deserves great accolades for having the brass and chutzpah to present this dark and conflicted play. Her raw technical approach and appreciation for playwrights and actors, becomes an art form on to its own.
After a brooding 97 minutes of “Comfort in the Arms of the Damned,” the proud director thanked her cast and the audience. She then invited everyone to attend “Mafia Macbeth”, an improv show that was starting in fifteen minutes. The lobby was bustling with energetic, beautiful people and Denver's Dangerous Theatre was serving tragedy and comedy, like a courageous theatre should.
Denver's Dangerous Theatre presents Comfort in the Arms of the Damned through November 17.
Showing posts with label Denver's Dangerous Theatre. Show all posts
Showing posts with label Denver's Dangerous Theatre. Show all posts
Tuesday, October 16, 2012
Theater Review: 'Comfort in the Arms of the Damned' troubling but important
Labels: gay Denver, MileHighGayGuy, LGBT Denver
Denver's Dangerous Theatre,
Philip Doyle,
Theater Review
Thursday, April 5, 2012
Confessions of a Mormon Boy meet 'n greet
Thanks to everybody who came out to the 'Confessions of a Mormon Boy' after-party/meet 'n greet at Denver's Dangerous Theatre last week. I confess, a very good time was had by all.
Labels: gay Denver, MileHighGayGuy, LGBT Denver
Confessions of a Mormon Boy,
Denver's Dangerous Theatre
Friday, March 30, 2012
Theater Review: Confessions of a Mormon Boy
By Philip Doyle
Confessions
of a Mormon Boy is Steven Fales’ autobiographical one-man play that is a
triumphant revelation in honesty and personal pride. It is a story that is written and performed
by a man who has journeyed through an array of challenges and arrives at his
destination, on the stage before a grateful audience.
Fales’
experiences are at times funny, occasionally heartbreaking, and brutally
candid. A confession of a gay
man’s longing for acceptance in and eventual excommunication from the Mormon
Church. He shares a
life that includes marriage, fatherhood, and divorce. He later engages in a show-and-tell about having been
an escort in New York City, and painfully recounts the trappings of recreational drug fueled
sex.
Often
times, one-person autobiographic plays come off as being self-indulgent … but
not this time.
This is a
well constructed account that reveals a man who is loving, smart and driven. Fales doesn’t wallow in a constant mea culpa
of trials and tribulations. Rather,
through this shameless confession, he adorns himself with the powers of
self-recognition. In my world, Steven
Fales is a super hero in the gay justice league.
Let’s face
it, it takes some serious cojones to write and perform a play about your own
life. From beginning to end, Mr. Fales has an ability to present his material with
a confidence that isn’t the least bit presumptuous. Personally, I admire that
kind of assertive charm.
Steven
Fales’ has taken the proverbial lemons of life, and now sells a very thirst
quenching lemonade. I strongly urge you
to go have a taste.
Confessions of a Mormon Boy is sure to bring a smile to your face.
Confessions of a Mormon Boy plays at Denver's Dangerous Theatre
Saturday, March 31st at 2:00pm and 7:30pm
Sunday, April 1st at 2:00pm
For tickets visit: http://dangeroustheatre.ticketleap.com/mormon-boy.
Labels: gay Denver, MileHighGayGuy, LGBT Denver
Confessions of a Mormon Boy,
Denver's Dangerous Theatre,
Philip Doyle,
Theater
Thursday, March 29, 2012
Five good reasons to see 'Confessions of a Mormon Boy'
Check out five good reasons to see 'Confessions of a Mormon Boy' at Denver's Dangerous Theatre March 29-April 1.
Labels: gay Denver, MileHighGayGuy, LGBT Denver
Confessions of a Mormon Boy,
Denver's Dangerous Theatre
Wednesday, March 28, 2012
Things to do in Denver when you're gay: Official 'Confessions of a Mormon Boy' After Party at Denver's Dangerous Theatre
On Friday, March 31, after Mormon boy Steven Fales is done confessing, MileHighGayGuy will be hosting an after party at Denver's Dangerous Theatre.
I'm looking forward to introducing gay Denver to what I think is one of the coolest spaces in the city. It's BYOB (yeah, baby - it's that kind of party!) and there will be music from one of Denver's top DJs - Gary Givant.
RSVP on Facebook or just show up ready to party. Admission is $5 - unless you can convince me otherwise.
I'm looking forward to introducing gay Denver to what I think is one of the coolest spaces in the city. It's BYOB (yeah, baby - it's that kind of party!) and there will be music from one of Denver's top DJs - Gary Givant.
RSVP on Facebook or just show up ready to party. Admission is $5 - unless you can convince me otherwise.
Labels: gay Denver, MileHighGayGuy, LGBT Denver
Confessions of a Mormon Boy,
Denver's Dangerous Theatre,
parties,
Things to do in Denver when you're gay
Confessions of a Mormon Boy: Author/Actor Steven Fales on Tyra Banks
Steven Fales, author and star of 'Confessions of a Mormon Boy' (March 29-April 1 at Denver's Dangerous Theatre) appeared on an episode of The Tyra Banks Show to discuss his experiences with anti-gay reparative therapy. Powerful stuff.
Labels: gay Denver, MileHighGayGuy, LGBT Denver
Confessions of a Mormon Boy,
Denver's Dangerous Theatre,
Steven Fales,
Tyra Banks
Tuesday, March 27, 2012
Confessions of a Mormon Boy: A conversation with Steven Fales, part 2
Before there was Book of Mormon, there was Confessions of a Mormon Boy – Steven Fales’ autobiographical play about a good Mormon boy
gone bad as an escort in New York City.
I had the chance to speak to Steven about his upcoming run
at Denver’s Dangerous Theatre (March 29-April 1) and talk about family, religion
and spirituality in addition to sex, drugs and Tyra Banks! Part one of our conversation was published yesterday. And here's part two!
You mentioned
reparative therapy earlier. Did you go through it?
I did it with the biggest names in the business Joseph
Nicolosi who wrote the book Reparative Therapy of male homosexuality and he’s
the president of the national association of research and therapy of
homosexuality. I did therapy with him and Joe consiglio one of the founders of
exodus. And I was part of evergreen international. If I was going to come out
of the closet I wanted to think there was some science to it. If it could be
scientifically done, I was willing to look into it. On certain levels, I made a
very deliberate examination of what was going on. I didn’t want to lose my wife
and kids but the therapy made me feel isolated and self-loathing. And the
attraction became more intense, not less ,and ultimately I had to face the
truth.
I was actually on The Tyra Banks show episode about reparative
therapy. I did so many wacky things trying to be straight.
Is there a connection
with people who undergo reparative therapy and then come out as so visibly gay?
Are you saying there’s some kind of narcissm going on? There
are two things, I think. People who do reparative therapy often do it because
they want to please people and society and they don’t want to take the risks of
coming out. They fear being excommunicated or losing the things they have. It’s
a little bit selfish. The other side of it is that I think they are truth
seekers and they really want to know and risk this exploration. It’s not a
popular thing to do. Once they take that risk and learn that it is not for them
- that our sexual orientation is not sexual addiction or sexual disorder or bad
or wrong, it can be a very spiritual and expansive and emotional thing.
I didn’t used to think it was possible but I’ve had
boyfriends now where the sex is equally as beautiful as any I ever had with my wife.
And I tell you, sex with intimacy blows crystal meth sex away any day.
So, when they find out the truth they want to let everyone
know and they want to make a difference. As a good Mormon boy I was taught to
want to make a difference. So if we can forgive these guys for the little show
ponies they have inside them and really listen to what they have to say … these
guys are warriors coming back from the trenches and they have a message …
I’ll tell you what my message is - not only is it ok to be
gay, but we are not our past. The end. The most political thing I can do as a
gay man is to reclaim my spiritual life.
Do you think many gay
men are divorced from their spiritual lives?
When we buy into what we’re told that God doesn’t love us or
that we are not worthy, what do we fill ourselves with? I found there was
somewhat of a spiritual feeling I could have on drugs at 7am on the dance floor.
But it wears off and those people leave. So I think we are having a crisis
because so many of us have been spiritually abused in our churches and it
prevents us from getting into recovery and it prevents us from having stable
relationships. I think the battle for equality is taking place right now in the
churches of America and we are conspicuously missing from that battle.
Are you sober now?
I’ve been in recovery since 2003, a few slips along the way
but doing well. It’s for the best. You don’t want to see me do this show high! I’d
just stare into the lights … so pretty and bright!
What’s the strangest
thing that ever happened to you during your escorting days?
Wait until you see the scene with my first escort on stage,
the Japanese lizard. You’ll laugh your ass off. I did the show in London’s West
End last summer and they would not stop laughing at the Japanese lizard so I
think you’ll like him.
I’ve heard the show
has lots of Mormon flesh on display.
Mormons are opportunities we do whatever it take to win. We
want to win your approbation. You kind of seem the same way. Drew, let me ask
you something. Did you grow up Mormon?
I did not. I studied with the Jehovah's Witnesses for a while.
Oh, you are my brother then! When a Jehovah’s Witness comes
up to me we’re always like best friends once they’ve seen the show. My best
friend was Jehovah’s Witness and I call him ‘hovah boy and he calls me Mormon
boy. Mormons and Jehovah Witnesses go through spiritual abuse that I think is unlike
anything any of the other religions can do.
How’d you get hooked
up with Denver’s Dangerous Theatre?
Someone tipped me off to the Denver Fringe Festival and they
thought the show would be great there. I have never played Denver and there are
a lot of gay Mormons there – have you ever heard of the group Affirmations? They’re
the gay Mormons. Definitely want to shout out to my Denver Affirmation folks. So
I contacted Winnie (owner of Denver Fringe Festival and Denver’s Dangerous
Theatre) and I love doing dangerous work, so it was a great fit. And I hear its
kind of a sex club at night? I might have to check out the late show myself!
Why should readers of
MileHighGayGuy come see the show?
Denver is bigger than Salt Lake City but the cities still
have a lot in common as mountain towns. I’ve never done the show in another
mountain town and I’m really looking forward to meeting the people of Denver –
I think they’re really going to be able to get into my Brokeback Mormon dream.
Denver is going to get it. Variety calls my show Brokeback Mormon because of
this dream I have. I’m going to be doing my Brokeback dream for you!
Sponsored by MileHighGayGuy.com, Confessions of a Mormon Boy will run
for only five performances. For more information or tickets visit DangerousTheatre.com or call 720-233-4703.
Labels: gay Denver, MileHighGayGuy, LGBT Denver
Confessions of a Mormon Boy,
Denver's Dangerous Theatre,
Steven Fales
Monday, March 26, 2012
Confessions of a Mormon Boy: A conversation with Steven Fales, Part 1
Before there was Book of Mormon, there was Confessions ofa Mormon Boy – Steven Fales’ autobiographical play about a good Mormon boy
gone bad as an escort in New York City.
I had the chance to speak to Steven about his upcoming run
at Denver’s Dangerous Theatre (March 29-April 1) and talk about family, religion
and spirituality in addition to sex, drugs and Tyra Banks! Here's part one of our conversation. Part two will run tomorrow.
So Steven, tell me
about the show.
You know, first of all, people always think ‘Oh, another Mormon
show’? But I am the original. Long before Book of Mormon opened on Broadway, my
show opened off Broadway. And it’s the only true offering of the Mormon experience
you’ll find on stage – Angels in America you can’t say is a true story. Book of
Mormon, you can’t. And then the film Latter Days? It’s semi-autobiographical
but not really true.
What do you mean by
true?
Well, you only get a two-dimensional look at Mormon culture
and the Mormon experience in those films. What I’m offering is the true story
and it goes much further behind the scenes. As far as the gay Mormon experience
we have a more seasoned, nuanced approach. Nuances that writers outside of
Mormonism just won’t get because they’re not Mormon. I will take you from a Mormon
temple marriage all the way to escorting in Manhattan - the gritty underbelly
of NYC.
How does one go from
being a good Mormon boy to a NYC escort?
Well, I think you know how things can go sometimes in the
gay community. I’m certainly not the only one.
What made you write Confessions of a Mormon Boy and the rest of the trilogy?
One of the things that prompted me to write was that my
mother-in-law was not honest about the gay Mormon experience and she was
considered the patron saint of gay Mormons. Carol Lynn Pearson wrote this major
best seller called Goodbye, I Love You, about bringing her ex-husband home to
die of AIDS, which came out in 1996 through Random House.
I married her oldest daughter Emily. I told her I was gay
before we got married and I thought that, with reparative therapy, any problems
with my same sex attraction could be eradicated and we could keep it together.
We were getting married for children, for art, for the Lord and because we were
friends. But as time went on, I had my issues and she had things that I took on
that were equally as challenging as what she took on with my same-sex
attraction. When it all fell apart I was under the microscope quite a bit
because of who my mother-in-law was and so I became a double bastard in Utah –
a bastard to the Mormons and a bastard to gay Utah. So I then took my pain and
anger and my well-preserved 30 year-old self to New York and boom, overnight
I’m escorting in penthouses.
The real thing about this show is that is is the story of
what it takes to wake up and stop being a victim. I think the greatest tyranny
is the tyranny within. It’s not the Mormon Church. It’s not the sex industry.
It’s me. It’s a powerful piece but it’s also very sexy, very funny and it’s
only the first of three. I also wrote a prequel and a sequel. And I’m so glad I
get to see Denver before the Book of Mormon comes your way!
Why do you think
Mormonism is having such a day in the popular culture sun?
I think it was inevitable that Mormonism would arrive and
claim its place in Americana. The west, as you know, was settled in large part by
the Mormons and so we have wonderful stories to contribute to the American
experience.
We could talk about a minority coming of age, a persecuted
people who want to be accepted so they excel in many different arenas so they
can be legit. Any number of things.
I really do believe in my people but what disappoints me is
that we have not told our own stories. And if we have told them, we have not
told them honestly. So it’s time. Time to tell our stories. And this is just
the beginning, I think that the Mormon experience is just about to pop!
Well, lot of the show is about my children. I have two kids
…
Ooh, how much they know
about your experiences?
Well, my son saw my show in Orlando last spring almost a
year ago and said ‘Dad, it really humanized you.”
And so I say, I may no longer be a Latter Day Saint but
something about me will always be Mormon. It’s a cultural thing. Technically
I’m now Episcopalian. This church is very progressive but also traditional. My
own spiritual path has finally aligned with something that works for me and I’m
happy to be on this path of spiritual development. When I left Utah I threw the
baby out with the bathwater in terms of spirituality.
In what way?
I turned into a charming, ferocious smiling creature. I
escorted for a very intense nine months. Long enough. I still sometimes have
flashbacks to that whole mindset. So that’s what you’re going to get from me. You’re
going to get the New York section where we deal with sex work. I’m not there to
glamorize it, so it’s very gritty and very real. It could have been grittier but
I am still Mormon, remember. You have to come see how gritty it is!
Sponsored by MileHighGayGuy.com, Confessions of a Mormon Boy will run
for only five performances. For more information or tickets visit DangerousTheatre.com or call 720-233-4703.
Labels: gay Denver, MileHighGayGuy, LGBT Denver
Confessions of a Mormon Boy,
Denver's Dangerous Theatre,
Steven Fales
Thursday, March 22, 2012
Tickets onsale now for Confessions of a Mormon Boy
Confessions of a Mormon Boy, by Steven Fales, is Part I in The Mormon Boy Trilogy which also includes Missionary Position (New York International Fringe Festival) and Who’s Your Daddy? (which was performed at the United Solo Festival in November 2011 in New York City).
Before turning to writing and solo performance, Steven worked in regional theatres and Shakespeare festivals across America. He has worked with such luminaries as Elaine Stritch, Len Cariou, Douglas Sills, Judy Kaye, Emily Loesser among others. He has also acted in television, film, and commercials. He is the founder of the Solo Performance Alliance and teaches workshops all over the country.
A member of Actors Equity Association, Steven first trained on scholarship at the Boston Conservatory. After serving as a Mormon missionary in Portugal for two years, he later transferred to Brigham Young University where he received a BFA in musical theatre and later his MFA in acting from the University of Connecticut. He has studied at the American Comedy Institute in New York and privately with acting coach Larry Moss.
Steven was born in Utah and raised in California and Las Vegas (where he was singing at Caesar’s Palace by the age of sixteen). He currently lives in Salt Lake City where he takes an active role in raising his two children and exports his oxy-Mormon work from his home in the Rocky Mountains.
Sponsored by MileHighGayGuy.com, Confessions of a Mormon Boy will run for only five performances. For more information or tickets visit DangerousTheatre.com or call 720-233-4703.
Before turning to writing and solo performance, Steven worked in regional theatres and Shakespeare festivals across America. He has worked with such luminaries as Elaine Stritch, Len Cariou, Douglas Sills, Judy Kaye, Emily Loesser among others. He has also acted in television, film, and commercials. He is the founder of the Solo Performance Alliance and teaches workshops all over the country.
A member of Actors Equity Association, Steven first trained on scholarship at the Boston Conservatory. After serving as a Mormon missionary in Portugal for two years, he later transferred to Brigham Young University where he received a BFA in musical theatre and later his MFA in acting from the University of Connecticut. He has studied at the American Comedy Institute in New York and privately with acting coach Larry Moss.
Steven was born in Utah and raised in California and Las Vegas (where he was singing at Caesar’s Palace by the age of sixteen). He currently lives in Salt Lake City where he takes an active role in raising his two children and exports his oxy-Mormon work from his home in the Rocky Mountains.
Sponsored by MileHighGayGuy.com, Confessions of a Mormon Boy will run for only five performances. For more information or tickets visit DangerousTheatre.com or call 720-233-4703.
Labels: gay Denver, MileHighGayGuy, LGBT Denver
Confessions of a Mormon Boy,
Denver's Dangerous Theatre
Wednesday, March 7, 2012
Mile High Hot Guy: Steven Fales
Steven Fales is a professional actor/writer/producer who first came to national attention with his critically acclaimed solo play Confessions of a Mormon Boy - coming to Denver's Dangerous Theatre March 29.
He's also today's Mile High Hot Guy. Looking good in them tighty blackies, Steven!
He's also today's Mile High Hot Guy. Looking good in them tighty blackies, Steven!
Labels: gay Denver, MileHighGayGuy, LGBT Denver
Confessions of a Mormon Boy,
Denver's Dangerous Theatre,
hot guys,
Steven Fales
Monday, March 5, 2012
Confessions of a Mormon Boy comes to Denver's Dangerous Theatre
An absolute hit in cities across the US as well as London’s
West End and the Edinburgh
Fringe Festival, 'Confessions of a Mormon Boy' has toured extensively all over the country and
internationally.
And Steven Fales has finally found his way to Denver to perform his controversial,
critically acclaimed, award-winning off-Broadway hit. What
better venue than at Denver’sDangerous Theatre?
This 90-minute solo play recounts how Steven went from being
the perfect Mormon boy in Utah to a
high-priced call boy in New York City
and how he managed to find a middle ground.
This provocative and inspiring true story
takes the audience from his Mormon mission to Portugal and temple marriage,
through reparative therapy, excommunication, divorce, prostitution and crystal
meth addiction as he struggles to reclaim his self, his two children, and his
‘Donny Osmond smile.’
Says Fales, “This is my contribution to help end
spiritual abuse and religious violence in churches, mosques, and synagogues.”
Confessions of a Mormon
Boy
Written and performed by Steven Fales
Based on original direction by Tony Award Winner Jack
Hofsiss
ONLY *5* Performances
March 29th – April 1st
Thursday, Friday & Saturday @ 7:30
Saturday & Sunday @ 2:00
Tickets:
$30 for evening performances
$25 for matinee performances
$5.00 discount available for students, seniors, military and
members of the Colorado Theater Guild.
Online ticket purchase: http://dangeroustheatre.ticketleap.com/mormon-boy/
Labels: gay Denver, MileHighGayGuy, LGBT Denver
Denver's Dangerous Theatre,
Steven Fales,
Theater
Monday, February 27, 2012
Theater Review: Black Stockings
By Philip Doyle
I have a confession to make.
There is a strong possibility that I’m in love … with Denver's Dangerous Theatre company. I just got home after seeing my first show produced by them and I’m smitten. It might be a long-term thing, or maybe just a hot one-night stand. All I know is that my heart is filled with love for the work that the Dangerous Theatre is trying to do.
For me it’s the stuff from which dreams are made.
The Dangerous Theatre allows attention to be paid to original works, and plays that are new to Denver audiences. Because of the high cost of theatre production, their focus is not on technical spectacle. It’s not about breathtaking sets and laser light shows. It’s not about the gloss - it’s about substance. The Dangerous Theatre puts emphasis on script, and the actor-to-audience relationship.
Then the play begins to challenge the audience with questions of what constitutes morality. Trish shares her experiences that can only be judged as unbearably horrific. She exposes the darkest side of human nature, parlaying cruelty upon cruelty into a brilliant didactic monologue.
Brittany Lacour plays Trish. There is no way to adequately express my sincerest praise for her performance. But I’ll try. Lacour is utterly captivating. She possesses a commanding emotional intensity. As Trish, she grabs you, straps you in, and shares her experience with you. Let me put it this way, there
is an anatomically correct sex doll standing up stage (I mean really,
there is), and when Lacour was rocking my world with her performance, I
forgot the doll was even there! I hope that convinces you. I mean honestly … Brittany Lacour is a phenom.
And Winnie Wenglewick is as bold and smart an asset to the play as Donna as she is in her role as director. She should be commended for her brave contribution of this great theatre work that would otherwise go unrecognized.
I hope my love affair with the Dangerous Theatre continues. I can appreciate stripping the shiny commercial spectacle out of the theatre equation to expose the heart of the art form.
Black Stockings plays at The Dangerous Theatre March 2 and 3 at 7pm.Tickets are $20.
Labels: gay Denver, MileHighGayGuy, LGBT Denver
Denver's Dangerous Theatre,
Philip Doyle,
Theater
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