Stone's Throw describes
the social, political and personal context that framed the emergence of
one of the most critically acclaimed New York artists of the late-20th
century, Felix Gonzalez-Torres. The book attests to the importance of
relationships forged throughout the most challenging years of the North
American AIDS crisis, as Deitcher recounts his friendships with
Gonzalez-Torres, with the activist curator Bill Olander, and the milieu
to which they belonged.
The title, Stone’s Throw, refers
to the resonating effects on the author of a single sentence by Carl
Andre: “My sculptures are masses and their subject is matter.”
Gonzalez-Torres brought that sentence to the author’s attention soon
after Deitcher accepted the artist’s invitation to write the
introductory essay for the catalogue that accompanied Gonzalez-Torres’s
1992 project for Magasin 3 Konsthall (Stockholm).
Now, twenty years after Gonzalez-Torres’s death, Deitcher revisits many of his most celebrated works. Stone’s Throw strikes
a balance between personal remembrance and cultural analysis, and is
richly illustrated with previously unpublished ephemera and full color
reproductions of poignant works by, among others, Nayland Blake, Tony
Feher, Jim Hodges, and Roni Horn. In its combination of critical
re-evaluation and personal testimony, Stone’s Throw marks a further development in Deitcher’s commitment to writing intimate art histories.