Showing posts with label Patrick McAleer. Show all posts
Showing posts with label Patrick McAleer. Show all posts

Monday, December 9, 2013

The MileHighGayGuy Review: Janelle Monet - Electric Lady

Electric Lady Electrifies
By Patrick McAleer


First off, I would like to apologize for my absence from this site. I signed up to write music reviews, I write one and then I head out like a fetus. Too much? Eh, oh well. My life has taken off in the last few months and I feel like I am playing catch up. I have an amazing new job with Kaiser Permanente as the Community Relations Coordinator, I have a fantastic new boyfriend (his name will go unmentioned), and I have been cast in Les Mis in Concert as Jean Valjean and in the chorus of Rigoletto for Opera Colorado. So I finally have a moment to listen to some music, that is not from one of the previously mentioned shows, and write about it.

I am a couple months behind on this album, but it is going round and round in my head and I just need get it out.

Let’s chit chat about Janelle MonĂ¡e’s new album, The Electric Lady. I love it! I can’t stop listening to it! I think she is brilliant! And yes, I did just scream the last three phrases via text. I am that excited!

The overall flow of the LP is genius. I love that there are no obvious breaks between songs. Each song melts into the next creating this constant stream of beautiful music. There are the occasional breaks for the radio DJ to plug upcoming events and interview the people. And that’s another thing, the radio vibe. It is such a great idea. It makes the album not sound like an album and it makes it sound like you just tuned into your favorite radio station. The other attribute that boasts the radio feel is the diversity of the songs. I can’t remember the last time I heard an artist where each one of their songs didn’t sounded anything like the songs before or the songs after. The whole album is refreshing and innovative.

 

I am a fan of Disney movies. I always have been and I always will be. The first song sounded like “Prince Ali” from Aladdin and I love it. I just wanted to make way for Miss Monae (See what I did there? If not, go watch Aladdin). It has such an Arabian feel to it. It gives precedent for the whole album. The third song on the album, 'Q.U.E.E.N.', just makes me smile, because any song that uses the phrases “throwin’ shade” or “givin’ face” is a song for me. I love me some attitude. The title track was less than desirable for me. It felt like one of the weaker tracks. Now maybe I just listened to it too much or I didn’t really grasp the lyrics, but eh, I could take it or leave it. One of my favorite tracks is track nine, 'Dance Apocalyptic'. It has such a fun beat and it makes me feel like I am back in high school. Good times.

The whole album has such great diversity between tracks. You have 'We Will Rock n’ Roll', that has this Diana Ross feel. You just want the Supremes to step on out and take it up a notch. And then there’s 'Look Into My Eyes' that sounds like you should be in a Pink Panther movie with a cigarette and an Old Fashioned. Followed by 'Suite V Electric Overture', which is just instrumental music orchestrated to sound like Big Band. Up next is 'Ghetto Woman', with this African beat that slowly transitions into disco. It’s like this earthy go-go feel. Does that even make sense? Just go with it.

The whole album rounds itself out with the final track, 'Victory'. It sends a powerful and inspirational message about being thankful for the small things in life. It’s time to stop and smell the roses. It’s time to let go and let God. (I feel like I got that from somewhere?) The whole album leaves you feeling refreshed, humbled, motivated, and whatever other positive words you can think of. It has been a long time since I have enjoyed an ENTIRE album. Miss Monae has created a whole new world of listening and enjoying.

Tuesday, October 22, 2013

Meet the MileHighGayGuy Bloggers: Patrick McAleer

Patrick is a professional singer and actor working in the Denver Metro area. He has been performing since he could walk and talk. Patrick received his Bachelors of Music in Voice from University of Colorado at Boulder and his Masters of Music in Music Theatre from Oklahoma City University, where he was awarded the Margaret E Petree (full-ride) Scholarship. Patrick has performed in numerous professional choirs and was a Featured Soloist for the Oklahoma City University’s Women of Excellence Fundraiser and the Women’s Vision Foundation VIP reception. Patrick is currently the Tenor Section Leader at Applewood Valley United Methodist Church.

After graduate school, he moved back to Colorado to be closer to his family and the mountains. He currently works at Kaiser Permanente and is a Mentor for Colorado Youth at Risk.

Tuesday, August 6, 2013

Music Review: Lackluster Vocals Slow Down Transitshop's 'Velocity'

By Patrick McAleer

While sitting here eating my Ginger Snaps from Sprouts and drinking my Pinot Grigio (don’t judge, rough day), I find myself listening to the first album I received to write a review about for Milehighgayguy. I received this album Velocity by Transitshop about three weeks ago and it has taken me just as long to listen to it.

I was really hoping my first review would be this upbeat, positive review, talking about how awesome this album is and how everyone should listen to this new band. Unfortunately, I am struggling to make this review what I was hoping it to be and instead of fighting it, I am going to give in and be honest.

I didn't love it.

A little introduction about Transitshop from the press release:

"Philadelphia, PA-based trio Transitshop is set to release its debut album, Velocity, on August 13, 2013 via Rock Ridge Music. The lushly epic alternative/indie-pop is an infectiously catchy hybrid of classic 1980s new wave transcendence and potent modern pop-punk dynamics. Through online networking, the band met Detroit-based producer Matt Dalton (Chiodos, I See Stars, These Hearts, Attila, For The Fallen Dreams, Stephen Christian), who helped streamline song arrangements and find otherworldly guitar tones. Velocity was partly recorded with Dalton at 37 Studios in Detroit and at Thermal Productions in New Jersey with Stephen McKnight.”

Most importantly, let’s start with the vocals. As it states in the press release, “The shimmering guitars, richly longing vocals, and urgently powerful rhythms ... ” I would like to dissect the “richly longing vocals” phrase. These words make me think of someone with a buttery sound to their voice, that you just can’t help but sway back and forth to the music, that is not the case on this album. We live in an age of auto-tune, which I don’t always think is necessary, but in this situation, it is. The lead singer, Chris O’Brien, is an excellent guitarist, arranger, and composer, but singing is not his forte. I had a very hard time getting past that through the entire EP.

I know nobody likes a Negative Nancy, so I am going to end on a positive note, because we all need constructive criticism, instead of just criticism. I really enjoyed the instrumentation and arrangement of the album. Transitshop reminds me of Blink182, All-American Rejects, and Boys Hate Girls. Their sound has an upbeat feeling that you want to roll down the car windows and turn up the stereo. It’s fun and from what I could gather from the lyrics, they seem pretty legit and send a good message.

I think, after some voice lessons for O'Brien, Transitshop might have what it takes to make an impact on the indie-pop scene. Of course they will first have to fight to find their niche and what makes them special, but that is a battle that is familiar to all of us.

Thursday, July 18, 2013

Meet the MileHighGayGuy Bloggers: Patrick McAleer

Patrick is a professional singer and actor working in the Denver Metro area. He has been performing since he could walk and talk. Patrick received his Bachelors of Music in Voice from University of Colorado at Boulder and his Masters of Music in Music Theatre from Oklahoma City University, where he was awarded the Margaret E Petree (full-ride) Scholarship. Patrick has performed in numerous professional choirs and was a Featured Soloist for the Oklahoma City University’s Women of Excellence Fundraiser and the Women’s Vision Foundation VIP reception. Patrick is currently the Tenor Section Leader at Applewood Valley United Methodist Church.

After graduate school, he moved back to Colorado to be closer to his family and the mountains. He currently works at Kaiser Permanente and is a Mentor for Colorado Youth at Risk.